Indie-leaning alt-pop ballad; intimate male vocals over warm electric piano and soft bass. Sparse, close-mic verses with brushed kit and subtle ambient pads; chorus lifts with wider vocal doubles, steady kick, and a bright, reverb-washed guitar answering phrases. Bridge adds a gentle tom build and airy harmonies, then drops back to just keys and voice for a vulnerable last line., light, world, loud

High-energy frevo de rua, fast brass stabs over syncopated percussion, male vocals leading huge crowd responses. Verses bounce with tight horn riffs and booming surdo; chorus explodes in unison shouts, tamborim runs, and soaring trombone lines. Call-and-response hooks and stacked gang vocals drive a nonstop carnival surge from first whistle to final yell.

Deep house, Male Vocals, Sad

爵士融合摇滚,男声

Brazilian funk-trap bounce with a relaxed swagger, mid-tempo groove, thick sub-bass and crisp claps; male vocals sliding between melodic raps and catchy singalong hooks. Verses stay tight and conversational, hook explodes with stacked gang vocals and airy synths on the top line, keeping space for ad-libs and crowd response.

Slow, aching string orchestra piece; violins carry a fragile main motif over a soft, sustained viola and cello bed. Dynamics swell from intimate pianissimo to wrenching fortissimo in waves, with occasional dissonant clusters that resolve into bittersweet consonance. Brief solo violin passages sing like a human voice, answered by low, tremulous cellos. Ideal for an emotional concert hall setting, lingering reverb and deeply expressive bowing.

Female Vocals, Rock

Pop rock

Sad, Male Vocals, Moderate, Indie Pop

rap, Dancehall / reggae-trap híbrido, beat cadencioso con bajo grueso y percusiones caribeñas, sintes brillantes en el hook; versos rapeados melódicos que se apoyan en la batería, estribillo súper pegajoso con coros grupales y ad-libs; energía en constante ascenso, ideal para voz principal male vocals con segundas voces aireadas y pequeños delays en las frases clave, reggae

Rap batidão EDM

Hip Hop, Trap, Drum and Bass, Dubstep, Energetic, Melancholic, Dark, Mysterious, Male Vocals, Rap Vocals, Singing-Rapping (Melodic Rap), Spoken Word, Pulsing, Vocal Effects, Female Vocals, Epic, Whispered Vocals, Shouting Vocals, Erratic, Bossa Nova, Whimsical

Warm contemporary worship ballad with gentle piano and acoustic guitar, light pads, and soft drums building into a singable congregational chorus; male vocals tender and sincere, with subtle harmonies lifting the hook on each repeat, final chorus dropping to almost a whisper before a simple resolved ending

rap, Dark Brazilian trap banger, male vocals. Distorted 808s, skittering hi-hats, eerie bell loop. Voice up-front and gritty with light saturation, aggressive ad-libs tucked in stereo. Verses start in a tight, low-key pocket then ramp into triplet flows and double-time bursts. Chorus hits with wider synths, stacked gang vocals, and a chest-rattling kick. Short bridge uses filtered drums and a half-time switch before final hook explodes., beats

Upbeat Afghan wedding-party bounce, dohol and tabla driving a fast 6/8 groove, lively rubab and accordion riffs weaving around a bright female vocal; claps and group shouts on the hook, short call‑and‑response phrases for the guests, energy building each chorus with harmonies and a final key-lift for the last repeat

emo trap , Melancholic, Aggressive

rap, Aggressive rap-rock with male vocals, distorted guitar riffs over a stomping halftime groove, gothic choirs in the hook, eerie synth leads weaving through the verses, and a massive gang-vocal chant for the chorus; bat-crack sound effects layered on snare accents and a rising energy arc from tight, whispered verses into explosive, anthemic refrains, rock

Forró, sanfona

Slow Caucasian romance ballad with duduk and acoustic guitar weaving around each other, soft bayan fills. Male vocals, intimate and close, verses almost spoken over spacious reverb; chorus blooms with lifted melody and subtle vocal harmonies. Gentle percussion pulse and warm low strings underline the confession, building slightly in the final chorus for a tender, cinematic finish.

Through-composed, neo-classical string orchestra piece in three short movements: I) slow, fragile high violins over soft inner-voice suspensions; II) agitated, rhythmic ostinatos in lower strings with sharp accents and sudden dynamic drops; III) luminous, cantabile theme passed between sections, ending in a hushed harmonic shimmer. Long, evolving phrases and rich counterpoint give a sonata-like arc.