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āĻĒāĻā§
âāĻĒāĻā§â āĻšā§āĻā§ āĻā§, āϏāĻĒā§āύ āĻā§°ā§ āĻāϤā§āĻŽāϏāĻāĻā§ā§°āĻžāĻŽā§° āĻāĻ āĻāĻā§ā§° āϏāĻāĻā§āϤāĻŽā§ āϝāĻžāϤā§ā§°āĻžāĨ¤ āĻāĻāĻžāĻļ āĻā§āĻŦāϞ⧠āĻŦāĻŋāĻā§°āĻž āĻŽāύāĻā§ā§ąā§ āĻĒāϤāύ⧰ āĻā§āĻ āĻ āϤāĻŋāĻā§ā§°āĻŽ āĻā§°āĻŋ āĻāĻļāĻž, āϏāĻžāĻšāϏ āĻā§°ā§ āĻā§ā§ąāύ⧰ āĻ ā§°ā§āĻĨ āĻŦāĻŋāĻāĻžā§°āĻŋ āĻāĻāĻŦāĻžā§ā§āĨ¤
04:14
16 minutes ago

Deutar Xubakh
âDeutar Xubakhâ ek bhabuk Assamese gaan jitu ek deutar niswartho bhalpuwa, tyag aru xantior smriti loi agbarhe. Gaankhone santona, poribarik bondhon aru hridoyor xuror madhyome ek gahiro monobhab prakash kore.
06:10
2 hours ago

āĻŦāĻŋā§°āĻŋāώ⧰ āĻāĻžāĻ
âāĻŦāĻŋā§°āĻŋāώ⧰ āĻāĻžāĻâ āĻāĻ āϏā§āύāĻŋāĻā§āϧ āĻā§°ā§ āĻ āύā§āĻā§āϤāĻŋāĻĒā§ā§°ā§āĻŖ āĻ āϏāĻŽā§āϝāĻŧāĻž āĻĒā§āϰā§āĻŽā§° āĻā§āϤ, āϝâāϤ āĻĒā§ā§°āĻā§āϤāĻŋ, āĻā§āύāĻžāĻ, āĻĢā§āϞ āĻā§°ā§ āĻŦāϤāĻžāĻšā§° āĻŽāĻžāĻā§ā§°ā§ āĻĻā§āĻāύ āĻšā§āĻĻāϝāĻŧā§° āĻāĻā§ā§° āϏāĻāϝā§āĻ āĻā§°ā§ āĻāĻŋā§°āϏā§āĻĨāĻžāϝāĻŧā§ āĻĒā§āϰā§āĻŽā§° āĻŽāϧā§ā§° āĻ āύā§āĻā§āϤāĻŋ āĻĒā§ā§°āĻāĻžāĻļ āĻĒāĻžāĻāĻā§āĨ¤
03:02
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āĻŦāĻŋā§°āĻŋāώ⧰ āĻāĻžāĻ
âāĻŦāĻŋā§°āĻŋāώ⧰ āĻāĻžāĻâ āĻāĻ āĻāĻā§ā§° āĻ āύā§āĻā§āϤāĻŋāĻĒā§ā§°ā§āĻŖ āĻ āϏāĻŽā§āϝāĻŧāĻž āĻĒā§ā§°ā§āĻŽā§° āĻā§āϤ, āϝ'āϤ āĻĒā§āϰāĻā§āϤāĻŋā§° āϏā§āύā§āĻĻā§°ā§āϝā§āϝ āĻā§°ā§ āĻšā§āĻĻāϝāĻŧā§° āĻāĻŦā§āĻ āĻāĻā§āϞāĻā§ āĻŽāĻŋāϞāĻŋ āĻāĻĸāĻŧāĻŋ āϤā§āϞ⧠āĻāĻŋā§°āύā§āϤāύ āĻāĻžāϞāĻĒā§ā§ąāĻžā§° āĻŽāĻžāϝāĻŧāĻžāĻŽāϝāĻŧ āĻāĻŦāĻŋāĨ¤
02:56
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Bisoronor xur
'Bisoronor xur' ek komol aru bhabuk premor gaan, j'thiyat nirobota, mitha kotha aru prakritir botahor majot monor gobhir onubhuti prakash pai. Gaan'ti hridoyor xanti aru xopunmoy smritik ujagar kore.
03:20
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āĻāĻšā§ āĻšā§ āĻāĻšāĻŋāĻāĻŋāϞāĻž
āĻāĻāύ āĻšā§āĻĻāϝāĻŧāϏā§āĻĒā§°ā§āĻļā§ āĻ āϏāĻŽā§āϝāĻŧāĻž ā§°ā§āĻŽāĻžāĻŖā§āĻāĻŋāĻ āĻĢ'āĻ-āĻĒāĻĒ āĻā§āϤ, āϝ'āϤ āύā§ā§°ā§ąā§ āĻ āĻšāĻž āĻāĻāύ āĻŦāĻŋāĻļā§āώ āĻŽāĻžāύā§āĻšā§° āĻāĻĒāϏā§āĻĨāĻŋāϤāĻŋāϝāĻŧā§ āĻā§ā§ąāύāϤ āĻĒā§āĻšā§°, āĻāώā§āĻŖāϤāĻž āĻā§°ā§ āĻ āύā§āĻā§ąā§° āύāϤā§āύ āĻāĻāϤ āĻŽā§āĻāϞāĻŋ āĻā§°ā§āĨ¤
05:05
4 hours ago

āĻāĻāĻžāĻļā§° āϤ⧰āĻž
âāĻāĻāĻžāĻļā§° āϤ⧰āĻžâ āĻāĻāύ āĻā§āĻŽāϞ āĻā§°ā§ āĻāĻŦā§āĻāĻŋāĻ ā§°ā§āĻŽāĻžāύā§āĻāĻŋāĻ āĻā§āϤ, āϝâāϤ āĻĒā§ā§°ā§āĻŽ, āϏāĻĒā§āύ āĻā§°ā§ āĻšā§āĻĻā§ā§° āύā§ā§°ā§ą āĻ āύā§āĻā§āϤāĻŋāĻ āĻāĻāĻžāĻļā§° āϤ⧰āĻžā§° āϏā§āϤ⧠āϤā§āϞāύāĻž āĻā§°āĻž āĻšā§āĻā§āĨ¤ āϏā§ā§° āĻā§°ā§ āĻ āύā§āĻā§ąā§° āĻŽāĻŋāĻļā§ā§°āĻŖā§ āĻā§āϤāĻāύāĻ āϏā§āύāĻŋāĻā§āϧ āĻā§°ā§ āϏā§āĻŽā§°āĻŖā§ā§ ā§°ā§āĻĒ āĻĻāĻŋāĻā§āĨ¤
02:07
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Luit
'Luit' āĻāĻāĻŋ āϏ⧰⧠āĻ āĻĨāĻ āĻāĻā§ā§° ā§°ā§āĻŽāĻžāύā§āĻāĻŋāĻ āĻāĻāĻā§ā§°ā§, āϝâāϤ āύāĻŋāĻļāĻžā§° āύā§ā§°ā§ąāϤāĻž, āĻļā§ā§ąāĻžāϞāĻŋā§° āĻā§°āĻž āϏā§āĻŦāĻžāϏ āĻā§°ā§ āĻĒā§ā§°ā§āĻŽāĻŋāĻ āĻšā§āĻĻā§ā§° āĻ āύā§āϤāĻŋāĻŽ āϏā§āĻŽā§āϤāĻŋ āĻāĻ āĻāĻŦā§āĻāĻŋāĻ āϏā§āĻŦāĻĒā§āύāĻŽā§ āĻĒā§°āĻŋāϏāĻŽāĻžāĻĒā§āϤāĻŋ āĻā§āĻŋ āϤā§āϞā§āĨ¤
00:34
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āĻāĻā§°ā§āĻ āĻāύāϤāĻž
āĻāĻ āĻā§āϤāĻā§ āĻāĻāĻž āĻŦā§āϝāĻāĻāĻžāϤā§āĻŽāĻ āĻ āϏāĻŽā§āϝāĻŧāĻž āϞā§āĻ-āĻĒāĻĒ āϏāĻāĻā§āϤ, āϝ'āϤ 'āĻāĻā§°ā§āĻ'āĻ āĻĻā§āώāĻŋāϤ ā§°āĻžāĻāύā§āϤāĻŋ āĻā§°ā§ āĻāĻŖā§āĻĄ āĻĒā§ā§°āϤāĻŋāĻļā§ā§°ā§āϤāĻŋā§° ā§°ā§āĻĒāĻ āĻšāĻŋāĻāĻžāĻĒā§ āĻŦā§āĻ¯ā§ąāĻšāĻžā§° āĻā§°āĻž āĻšā§āĻā§āĨ¤ āĻāĻāĻĒāĻā§ āĻāύā§āĻĻ, āϏā§āϞā§āĻāĻžāύāϧ⧰ā§āĻŽā§ āĻā§ā§°āĻžāĻ āĻā§°ā§ āϤā§āĻā§āώā§āĻŖ āĻāĻĨāĻžā§°ā§ āĻā§āϤāĻā§ā§ąā§ āĻāύāϤāĻžā§° āĻšāϤāĻžāĻļāĻž āĻā§°ā§ āĻŦāĻŋāĻĻā§ā§°ā§āĻĒ āĻĒā§ā§°āĻāĻžāĻļ āĻā§°ā§āĨ¤
03:07
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Rong
âRongâ āĻšā§āĻā§ āĻāĻ āĻā§āĻŽāϞ āĻ āϏāĻŽā§ā§āĻž āĻĒā§ā§°ā§āĻŽā§° āĻā§āϤ āϝâāϤ āĻŽāĻŋāĻ āĻž āĻāĻžā§ąāύāĻŋ, āĻāĻŦā§āĻ, āϏāĻĒā§āύ āĻā§°ā§ āĻšā§āĻĻā§ā§° ā§°āĻā§āύ āĻ āύā§āĻā§ą āĻĒā§ā§°āĻāĻžāĻļ āĻĒāĻžāĻāĻā§āĨ¤ Acoustic guitar, flute āĻā§°ā§ EDM mix-āĻ āĻā§āϤāĻāύāĻ āĻāϧā§āύāĻŋāĻ āĻ āĻĨāĻ āĻšā§āĻĻā§āϏā§āĻĒā§°ā§āĻļā§ ā§°ā§āĻĒ āĻĻāĻŋāĻā§āĨ¤
03:21
16 hours ago

Rong
āĻĒā§ā§°ā§āĻŽā§° āĻ āύā§āĻā§āϤāĻŋāϤ āϧā§ā§°ā§ āϧā§ā§°ā§ ā§°āĻā§āύ āĻšā§ āĻāĻ āĻž āĻāĻāĻž āĻšā§āĻĻāϝāĻŧā§° āĻāĻžāĻšāĻŋāύā§āĨ¤ āϞāĻžāĻā§āĻ āĻā§ąā§āĻ, āĻŽāĻŋāĻ āĻž āϏāĻĒā§āύ, āĻ āĻĒā§āĻā§āώāĻž āĻā§°ā§ āĻāĻā§ā§° āĻāĻžāϞāĻĒā§ā§ąāĻžā§° āϏā§āĻĒā§°ā§āĻļā§ āĻā§āϤāĻā§ āĻā§āĻŽāϞ ā§°ā§āĻŽāĻžāύā§āĻāĻŋāĻ āĻ āύā§āĻā§ą āϏā§āώā§āĻāĻŋ āĻā§°ā§āĨ¤
04:15
17 hours ago

siharan
āĻāĻ āĻā§āϤāĻā§ āĻāĻāύ āĻĒā§ā§°āĻŋāϝāĻŧāĻāύ⧰ āĻāĻĒāϏā§āĻĨāĻŋāϤāĻŋāϝāĻŧā§ āĻā§ā§ąāύāϞ⧠āĻ āύāĻž āĻĒā§āĻšā§°, āύāĻŋā§°āĻžāĻĒāϤā§āϤāĻž āĻā§°ā§ āĻā§ąā§āĻāĻŋāĻ āĻāώā§āĻŖāϤāĻžā§° āĻāĻžāĻšāĻŋāύā§āĨ¤ āĻā§āĻā§ąāϞā§, āύā§ā§°ā§ąāϤāĻž āĻā§°ā§ āĻšāĻžāĻāĻšāĻŋā§° āĻāĻŋāϤā§ā§°āĻāϞā§āĻĒā§°ā§ āĻ āĻĒā§ā§°ā§āĻŽā§° āĻŽā§āĻĻā§ āĻ āĻĨāĻ āĻāĻā§ā§° āϏā§āĻĒāύā§āĻĻāύ āĻĒā§ā§°āĻāĻžāĻļ āĻā§°ā§āĨ¤
04:21
17 hours ago

Rong
āĻāĻ āĻā§āϤāϤ āĻĒā§ā§°ā§āĻŽāϤ āĻĒā§°āĻžā§° āĻŽāĻŋāĻ āĻž āĻ āύā§āĻā§ą, āϞāĻžāĻā§āĻ āĻāĻžā§ąāύāĻŋ, āϏāĻĒā§āύāĻŽāϝāĻŧ āĻāϞā§āĻĒāύāĻž āĻā§°ā§ āĻ āĻĒā§āĻā§āώāĻžā§° āĻāĻŦā§āĻāĻŽāϝāĻŧ āĻŽā§āĻšā§ā§°ā§āϤāϏāĻŽā§āĻš āĻāĻŋāϤā§ā§°āĻŋāϤ āĻšā§āĻā§āĨ¤ āĻĒā§ā§°āĻŋāϝāĻŧāĻāύ⧰ āĻāĻĒāϏā§āĻĨāĻŋāϤāĻŋāϝāĻŧā§ āĻāĻžāϝāĻŧāĻā§° āĻŽāύ-āĻĒā§ā§°āĻžāĻŖāĻ āĻĒā§ā§°ā§āĻŽā§° ā§°āĻā§ā§°ā§ ā§°āĻā§āύ āĻā§°āĻŋ āϤā§āϞāĻž āĻāĻ āĻā§āϤ⧰ āĻŽā§āϞ āĻŦāĻŋāώāϝāĻŧāĨ¤
03:26
17 hours ago

āĻŦāĻŋāĻā§āĻā§āĻĻā§° āϝāĻžāϤāύāĻž
āĻāĻ āĻāĻžāύ⧠āĻŦāĻŋāĻā§āĻā§āĻĻā§° āĻ āĻŦāϏāĻžāύāĻšā§āύ āϝāĻžāϤāύāĻž, āϏā§āĻŽā§āϤāĻŋā§° āĻĻāĻšāύ āĻā§°ā§ āĻŽāĻžā§āĻžā§° āĻŦāύā§āϧāύāϤ āĻāĻŦāĻĻā§āϧ āĻšā§āĻĻāϝāĻŧā§° āύāĻŋāĻāĻļāĻŦā§āĻĻ āĻŦā§āĻĻāύāĻž āĻĒā§ā§°āĻāĻžāĻļ āĻā§°āĻŋāĻā§āĨ¤ āĻā§āĻŽāϞ folk-pop āϏā§ā§° āĻā§°ā§ āĻ āύā§āϤ⧰āĻā§āĻ āĻāĻŖā§āĻ ā§ āĻāĻžāύāĻāύāĻ āĻāĻā§ā§° āĻāĻŦā§āĻāĻŋāĻ āĻ āύā§āĻā§āϤāĻŋ āĻĻāĻŋāĻā§āĨ¤
04:22
19 hours ago

āĻŦāĻŋāĻĒā§āϞāĻŦā§ āĻā§āϤāύāĻž
âāĻŦāĻŋāĻĒā§āϞāĻŦā§ āĻā§āϤāύāĻžâ āĻāĻāύ āĻāĻĻā§āĻĻā§āĻĒāύāĻžāĻŽā§āϞāĻ āĻ āϏāĻŽā§āϝāĻŧāĻž āύāĻžāĻā§āϝāϧāϰā§āĻŽā§ āϏāĻāĻā§āϤ, āϝâāϤ āĻāύāϤāĻžā§° āĻāĻā§āϝ, āύā§āϝāĻžāϝāĻŧā§° āĻāĻšā§āĻŦāĻžāύ, āĻŽā§āĻā§āϤāĻŋā§° āĻāĻļāĻž āĻā§°ā§ āϏāĻžāĻŽāĻžāĻāĻŋāĻ āĻāĻžāĻā§°āĻŖā§° āĻļāĻā§āϤāĻŋ āĻā§āϤ⧰ āĻļāĻŦā§āĻĻ āĻā§°ā§ āĻŽāĻā§āĻā§āϝāĻŧ āϏā§ā§°āϤ āĻĒā§ā§°āĻāĻžāĻļ āĻĒāĻžāĻāĻā§āĨ¤
04:08
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Roshmi
Roshmi āĻšā§āĻā§ āĻāĻāύ āĻĒā§ā§°ā§āĻŽāĻŋāĻā§° āĻšā§āĻĻā§ā§° āĻāĻā§ā§° āĻ āύā§āĻā§āϤāĻŋā§° āĻĒā§ā§°āĻāĻžāĻļ, āϝ'āϤ āĻĒā§ā§°āĻŋā§āĻāύ⧰ āĻ āĻŦāĻŋāĻšāύ⧠āĻŦāĻžāĻāĻāĻŋāĻŦ āύā§ā§ąāĻžā§°āĻžā§° āĻŦā§āĻĻāύāĻž āĻā§°ā§ āĻ āĻā§āĻ āĻāĻžāϞāĻĒā§ā§ąāĻžā§° āĻāĻŦā§āĻ āĻā§āĻŽāϞ āϏā§ā§°ā§° āĻŽāĻžāĻā§ā§°ā§ āĻĢā§āĻāĻžāĻ āϤā§āϞāĻž āĻšā§āĻā§āĨ¤
01:23
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Roshmi
āĻāĻ āĻā§āϤāĻā§ āĻāĻā§ā§° āĻĒā§ā§°ā§āĻŽ āĻā§°ā§ āĻŦāĻŋāĻā§āĻā§āĻĻā§° āĻ āύā§āĻā§āϤāĻŋā§°ā§ āĻā§°āĻžāĨ¤ āĻāĻžā§āĻāĻāύ⧠⧰āĻļā§āĻŽā§ā§° āĻ āĻŦāĻŋāĻšāύ⧠āĻā§ā§ąāύ āĻāϞā§āĻĒāύāĻž āĻā§°āĻŋāĻŦ āύā§ā§ąāĻžā§°āĻžā§° āĻŦā§āϝāĻĨāĻž āĻā§°ā§ āĻ āύā§āϤ⧰⧰ āĻ āĻā§āϤā§ā§°āĻŋāĻŽ āĻāĻžāϞāĻĒā§ā§ąāĻž āĻā§āĻŽāϞ āϏā§ā§°āϤ āĻĒā§ā§°āĻāĻžāĻļ āĻā§°āĻŋāĻā§āĨ¤
01:07
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Nigun Poromatma
Nigun Poromatma is a spiritually uplifting Assamese-style song woven with imagery of flowers, breeze, fragrance, and universal harmony. Its lyrical flow evokes devotion, peace, and emotional connection with nature and humanity.
02:46
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morom
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Introduction to Assamese Music
Assamese music refers to the traditional and contemporary music of Assam, a state in northeastern India. The roots of Assamese music can be traced back to the ancient times, drawing influences from various indigenous cultures and regional traditions. Borgeet, a classical genre composed by the saint-scholar Sankardev in the 15th century, played a pivotal role in shaping Assamese musical identity. Over time, modern Assamese music has evolved, blending folk traditions like Bihu, Tokari Geet, and Zikir with contemporary styles, creating a rich and diverse musical landscape.
Sub-tags and Classifications of Assamese Music
Bihu Geet
Bihu Geet is a folk genre of Assamese music closely associated with the state's major festival, Bihu. These songs are performed during the spring festival and are characterized by lively rhythms, themes of love, harvest, and celebration. The upbeat and energetic tunes reflect the agrarian roots and joy of the Assamese people.
Borgeet
Borgeet is a classical genre introduced by the revered saint-scholar Srimanta Sankardev in the 15th century. These devotional songs are sung in praise of Lord Krishna and are marked by their classical raga-based compositions. Borgeet represents the spiritual and religious essence of Assamese music.
Tokari Geet
Tokari Geet is a unique folk genre, often performed by wandering minstrels in Assam. The songs are accompanied by a traditional string instrument called Tokari and narrate stories of love, mythology, and social issues. Tokari Geet holds a significant place in Assamese folk music, with its simple melodies and poignant lyrics.
Zikir and Zari
Zikir and Zari are devotional song forms introduced by Muslim mystics in Assam. These songs, sung in Assamese, are a synthesis of Sufi and Vaishnavite influences, promoting peace, unity, and spirituality. Zikir is particularly associated with the teachings of Ajan Fakir, a Muslim saint in Assam.
Modern Assamese Music
Modern Assamese music encompasses a broad range of styles, from contemporary folk fusion to pop, rock, and electronic influences. Assamese musicians today experiment with various genres while maintaining a connection to their cultural roots, creating a vibrant music scene that resonates with both traditional and urban audiences.
Famous Artists and Works in Assamese Music
Bhupen Hazarika
Known as the 'Bard of Brahmaputra,' Bhupen Hazarika is one of Assam's most iconic figures. A multifaceted artist, Hazarika was a lyricist, composer, and singer whose songs reflected the socio-political issues of Assam and the Northeast. His most famous works, such as 'Manuhe Manuhar Babe' and 'Bistirno Parore,' are timeless anthems of humanism and unity.
Manuhe Manuhar Babe
This iconic song by Bhupen Hazarika is a powerful anthem that speaks about humanity, unity, and social justice. The songâs poignant lyrics and simple yet stirring melody have made it a classic in Assamese music. It has been praised for its timeless message and remains relevant across generations.
Zubeen Garg
Zubeen Garg is a contemporary Assamese singer and musician who has achieved widespread fame in both Assamese and Bollywood music industries. His versatile voice and experimental style have made him a household name. His popular songs, such as 'Ya Ali' and 'Maya,' showcase his ability to blend traditional Assamese elements with modern music.
Bistirno Parore
Another masterpiece by Bhupen Hazarika, 'Bistirno Parore' is a reflection on the Brahmaputra River and its symbolism for the resilience of the Assamese people. The song, with its evocative imagery and deep emotional undertones, is a tribute to Assam's cultural and natural heritage.
Papon
Papon, an acclaimed singer and composer, has brought Assamese folk music to the global stage. His fusion of Assamese folk with contemporary sounds has garnered him a massive following. Notable works like 'Tokari' and 'Bihu Naam' exemplify his dedication to preserving Assamese musical traditions while innovating with new styles.
Ya Ali
Although sung in Hindi for a Bollywood film, 'Ya Ali' by Zubeen Garg brought Assamese music influences into the mainstream Indian music scene. The song features a blend of traditional Assamese vocal techniques with contemporary production, making it a standout piece in both Assamese and Indian pop culture.
Application Scenarios for Assamese Music
Assamese music, especially folk genres like Bihu Geet and Zikir, has been used extensively in Assamese and regional films to highlight cultural moments and emphasize regional authenticity. Bhupen Hazarikaâs compositions, in particular, have been featured in several documentaries and films that focus on Northeast India.
Film Soundtracks
Assamese music plays a central role in various cultural festivals, both within Assam and across India. Bihu songs are an integral part of Bihu celebrations, and Zikir is often performed during spiritual gatherings. These musical styles are used to foster a sense of community and cultural pride.
Cultural Events and Festivals
In recent years, Assamese folk elements have been incorporated into advertising campaigns to evoke regional pride and cultural connection. Advertisements related to Assamese products, such as tea or handicrafts, frequently use Bihu rhythms and traditional instruments to appeal to local audiences.
Advertising Music
Assamese music, particularly its folk genres, has potential in the gaming industry for use in games that depict rural or historical themes. The rustic and rhythmic nature of Bihu Geet or the spiritual undertones of Zikir can be used to create immersive environments in culturally-themed video games.
Video Game Background Music