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Nigun Poromatma
Nigun Poromatma is a spiritually uplifting Assamese-style song woven with imagery of flowers, breeze, fragrance, and universal harmony. Its lyrical flow evokes devotion, peace, and emotional connection with nature and humanity.
02:46
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morom
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00:37
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morom
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00:40
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00:28
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Kobita Premor
'Kobita Premor' ek komol aru hridoy sparshi premor gaan, j't premikor monor bhabona kobitar dore prokash pai. Indie pop xur, mitha vocal mood aru ushnata-bhora melody-e bhalpuwar xanti aru aakankhar golpo koi.
02:32
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03:41
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Kobits
âKobitsâ āĻšā§āĻā§ āĻāĻ āĻā§āĻŽāϞ āĻā§°ā§ ā§°ā§āĻŽāĻžāĻŖā§āĻāĻŋāĻ āĻĒā§āϰā§āĻŽāĻā§āϤ āϝâāϤ āĻāĻžāϞāĻĒā§ā§ąāĻžā§° āĻ āύā§āĻā§āϤāĻŋ, āĻ āĻĒā§āĻā§āώāĻž āĻā§°ā§ āĻšā§āĻĻā§ā§° āĻā§āĻŽāϞ āϏā§āĻĒāύā§āĻĻāύ āϏā§ā§°ā§° āĻŽāĻžāĻā§ā§°ā§ āĻĒā§ā§°āĻāĻžāĻļ āĻĒāĻžāĻāĻā§āĨ¤ South Indian romantic melodic style-āĻ āĻāĻžāύāĻāύāĻ āĻ āϧāĻŋāĻ āĻŽāĻžā§āĻžāĻŽā§ āĻā§°ā§ āĻāĻŦā§āĻāĻŋāĻ āĻā§°āĻŋ āϤā§āϞāĻŋāĻā§āĨ¤
00:28
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Tip Tip Borokhunot
Ei gaan khon brishtir komol pora, monor lukai thoka prem aru xopunor kobita. Indie folk ballador madhyome eti nostaljik, ujjal aru antorik onubhuti toiri hoi, jikhon priyo manuhor xubax aru smriti bukut jiyai thake.
03:23
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āĻĒāĻĨāĻŽ āĻāĻžāϞ āĻĒā§ā§ąāĻž
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03:38
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Aikhon Amar Songkhar
'Aikhon Amar Songkhar' ekhonor swapna, prem aru gharor mitha onubhuti loi gora ek folk-pop gaan. Dholor taal, bamboo flute aru group vocalor madhyome gaankhone jibonor pothot ekeloge aguwai thakar anubhav tulidhorise.
03:04
1 days ago

āϧā§āĻŽā§āĻšāĻžā§° āϏāϤā§
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04:57
1 days ago

āĻ āĻŽāĻžāύāĻŋāĻļāĻž āĻāĻŋāϝāĻŧ
āĻāĻ āĻā§āϤāĻā§ āĻšā§ā§°ā§ā§ąāĻž āĻĒā§ā§°ā§āĻŽ, āϏā§āĻŽā§āϤāĻŋ āĻā§°ā§ āĻ āύā§āϤ⧰ā§āĻĻā§āĻŦāύā§āĻĻā§āĻŦā§° āĻāĻ āĻāĻžāĻŦā§āϝāĻŋāĻ āĻĒā§ā§°āĻāĻžāĻļ, āϝâāϤ āĻāĻāϧāĻžā§°, ā§°āĻ āĻā§°ā§ āύā§ā§°ā§ą āĻŦā§āĻĻāύāĻžāĻ āĻāĻā§āϞāĻā§ āĻŽāĻŋāϞāĻŋ āĻšā§āĻĻāϝāĻŧā§° āĻāĻā§ā§° āĻāĻŦā§āĻ āĻĒā§ā§°āĻāĻžāĻļ āĻā§°ā§āĨ¤
06:05
1 days ago

Mela Ase Kot
'Mela Ase Kot' eta playful aru upbeat Assamese Afro-pop gaan, jitu premor ulah, ratiyor emotional bonding, aru rhythmic chant hookor majote ek energetic vibe toiri kore.
02:15
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āϧāύāĻā§āϝā§āϤāĻŋ āĻĻā§ā§°ā§
āĻāĻ āĻā§āϤāĻā§āϤ āĻāĻ āϝā§ā§ąāĻžā§° āϏāĻāĻā§ā§°āĻžāĻŽ, āϏāĻĒā§āύ āĻā§°ā§ āĻ āĻŦāĻŋā§°āĻžāĻŽ āĻāĻāĻŦā§āĻžā§° āĻāĻžāĻšāĻŋāύ⧠āĻĒā§ā§°āĻāĻžāĻļ āĻĒāĻžāĻāĻā§āĨ¤ āĻāĻžāĻāĻā§° āĻĒā§°āĻž āĻā§°āĻŽā§āĻ āĻšā§ā§ąāĻž āϝāĻžāϤā§ā§°āĻž āĻāϤā§āĻŽāĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻā§°ā§ āĻāĻļāĻžā§°ā§ āĻā§°āĻž āĻāĻ āĻ āύā§āĻĒā§ā§°ā§ā§°āĻŖāĻžāĻŽā§āϞāĻ āĻĻā§ā§°āϤ āĻĒā§°āĻŋāĻŖāϤ āĻšā§āĨ¤
05:10
1 days ago

āĻĻā§ā§°ā§°ā§ āĻāϝāĻŧāĻāĻžāύ
âāĻĻā§ā§°ā§°ā§ āĻāϝāĻŧāĻāĻžāύâ āĻšā§āĻā§ āĻ āϧā§āĻ¯ā§ąāϏāĻžāϝāĻŧ, āϏāĻžāĻšāϏ āĻā§°ā§ āĻŦāĻŋāĻāϝāĻŧā§° āĻāĻžāύāĨ¤ āϧāύāĻā§āϝā§āϤāĻŋā§° āĻĻā§ā§°ā§° āĻŽāĻžāĻā§ā§°ā§ āϏāĻĒā§āύ āĻĒā§ā§°āĻŖā§° āϝāĻžāϤā§ā§°āĻž, āĻāĻžāĻŽā§° āĻŽā§āϞā§āϝ āĻā§°ā§ āϏāĻŽā§āĻšāĻŋāĻ āĻāĻĻā§āĻĻā§āĻĒāύāĻžāĻ Assamese folk-pop āϏā§ā§°āϤ āĻļāĻā§āϤāĻŋāĻļāĻžāϞā§āĻāĻžā§ąā§ āĻĒā§ā§°āĻāĻžāĻļ āĻā§°āĻž āĻšā§āĻā§āĨ¤
04:02
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āϧāύāĻā§āϝā§āϤāĻŋ āĻĻā§ā§°āĻŋāĻā§
âāϧāύāĻā§āϝā§āϤāĻŋ āĻĻā§ā§°āĻŋāĻā§â āĻšā§āĻā§ āĻāĻ āĻāĻā§āĻ-āĻļāĻā§āϤāĻŋāϏāĻŽā§āĻĒāύā§āύ āĻ āϏāĻŽā§ā§āĻž āĻā§ā§°ā§ā§āĻž anthem āϝâāϤ āĻĸā§āϞ⧰ āϤāĻžāϞā§, āĻĒā§āĻĒāĻžā§° āϧā§āĻŦāύāĻŋ āĻā§°ā§ cinematic chorus-āĻ āĻŦāĻŋāĻā§, āĻāĻāϤāĻž āĻā§°ā§ āĻ āύā§āĻĒā§ā§°ā§ā§°āĻŖāĻžā§° āĻļāĻā§āϤāĻŋāĻļāĻžāϞ⧠āĻ āύā§āĻā§āϤāĻŋ āĻāĻžāĻā§ā§°āϤ āĻā§°ā§āĨ¤ āĻ āϏā§āĻā§āĻĄāĻŋā§āĻžāĻŽā§° āĻāϞā§āϞāĻžāϏ āĻā§°ā§ āĻāĻŦā§āĻāĻŽā§ āĻā§ā§°ā§ąā§° āϏāĻāĻā§āϤ ā§°ā§āĻĒāĨ¤
03:08
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āĻŦā§°āώāĻžā§° āĻ āύā§āĻā§ą
āĻāĻ āĻā§āϤāĻā§ āĻŦā§°āώāĻžā§° āĻāĻŦā§āĻ, āĻŽā§°āĻŽ, āĻāĻļāĻž āĻā§°ā§ āύā§āĻšā§ā§ąāĻž āϏā§āĻŽā§āϤāĻŋā§° āĻŽāĻžāĻāϤ āĻĄā§āĻŦ āϝā§ā§ąāĻž āĻšā§āĻĻā§ā§° āĻāĻžāĻšāĻŋāύā§āĨ¤ āĻĒā§ā§°ā§āĻŽ, āϏāĻĒā§āύ āĻā§°ā§ āĻ āύā§āϤ⧰⧰ āĻāĻžāύāĻ rock āϏā§ā§°ā§° āϏā§āϤ⧠āĻāĻŦā§āĻāĻŋāĻāĻāĻžā§ąā§ āĻĒā§ā§°āĻāĻžāĻļ āĻā§°āĻž āĻšā§āĻā§āĨ¤
02:31
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āĻŽāύ⧰ āĻĢā§āϞāύāĻŋ
'āĻŽāύ⧰ āĻĢā§āϞāύāĻŋ' āĻāĻāĻž āĻļāĻŦā§āĻĻāĻŦāĻŋāĻšā§āύ āĻāĻŋāύā§āϤ⧠āĻāĻā§ā§° āĻāĻŦā§āĻāĻŽā§ āĻ āϏāĻŽā§ā§āĻž ā§°ā§āĻŽāĻžāύā§āĻāĻŋāĻ instrumental āĻŦā§āϞāĻžāĻĄ, āϝâāϤ āĻā§āĻŽāϞ āĻā§āĻāĻžā§°, āĻŽā§āĻĻā§ āĻā§āĻ āĻā§°ā§ āĻĢā§āϞ⧰ āĻĻā§°ā§ āĻŽā§āϞāĻĄāĻŋāĻ āĻŦāĻŋāϏā§āϤāĻžā§°ā§ āĻ āύā§āϤ⧰āĻā§āĻ āĻ āύā§āĻā§āϤāĻŋ āϏā§āώā§āĻāĻŋ āĻā§°ā§āĨ¤
03:27
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Xuna Tumi
Xuna Tumi āĻšā§āĻā§ āĻāĻā§ā§° āĻāĻžāϞāĻĒā§ā§ąāĻžā§° āĻ āύā§āĻā§ą, āĻ āĻĒā§āĻā§āώāĻž āĻā§°ā§ āĻšā§āĻĻā§ā§° āĻāĻā§āϞāϤāĻžā§° āĻāĻžāĻšāĻŋāύā§āĨ¤ āĻā§āĻŽāϞ āϏā§ā§°, āĻ āύā§āϤ⧰āĻāĻ āĻāĻŖā§āĻ āĻā§°ā§ āĻāĻŦā§āĻāĻŋāĻ chorus āĻ āĻāĻžāύāĻā§āĻ āĻāĻ āĻāώā§āĻŖ Assamese pop ballad ā§°ā§āĻĒā§ āĻāĻāϞāĻžāĻ āϤā§āϞā§āĨ¤
03:02
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Introduction to Assamese Music
Assamese music refers to the traditional and contemporary music of Assam, a state in northeastern India. The roots of Assamese music can be traced back to the ancient times, drawing influences from various indigenous cultures and regional traditions. Borgeet, a classical genre composed by the saint-scholar Sankardev in the 15th century, played a pivotal role in shaping Assamese musical identity. Over time, modern Assamese music has evolved, blending folk traditions like Bihu, Tokari Geet, and Zikir with contemporary styles, creating a rich and diverse musical landscape.
Sub-tags and Classifications of Assamese Music
Bihu Geet
Bihu Geet is a folk genre of Assamese music closely associated with the state's major festival, Bihu. These songs are performed during the spring festival and are characterized by lively rhythms, themes of love, harvest, and celebration. The upbeat and energetic tunes reflect the agrarian roots and joy of the Assamese people.
Borgeet
Borgeet is a classical genre introduced by the revered saint-scholar Srimanta Sankardev in the 15th century. These devotional songs are sung in praise of Lord Krishna and are marked by their classical raga-based compositions. Borgeet represents the spiritual and religious essence of Assamese music.
Tokari Geet
Tokari Geet is a unique folk genre, often performed by wandering minstrels in Assam. The songs are accompanied by a traditional string instrument called Tokari and narrate stories of love, mythology, and social issues. Tokari Geet holds a significant place in Assamese folk music, with its simple melodies and poignant lyrics.
Zikir and Zari
Zikir and Zari are devotional song forms introduced by Muslim mystics in Assam. These songs, sung in Assamese, are a synthesis of Sufi and Vaishnavite influences, promoting peace, unity, and spirituality. Zikir is particularly associated with the teachings of Ajan Fakir, a Muslim saint in Assam.
Modern Assamese Music
Modern Assamese music encompasses a broad range of styles, from contemporary folk fusion to pop, rock, and electronic influences. Assamese musicians today experiment with various genres while maintaining a connection to their cultural roots, creating a vibrant music scene that resonates with both traditional and urban audiences.
Famous Artists and Works in Assamese Music
Bhupen Hazarika
Known as the 'Bard of Brahmaputra,' Bhupen Hazarika is one of Assam's most iconic figures. A multifaceted artist, Hazarika was a lyricist, composer, and singer whose songs reflected the socio-political issues of Assam and the Northeast. His most famous works, such as 'Manuhe Manuhar Babe' and 'Bistirno Parore,' are timeless anthems of humanism and unity.
Manuhe Manuhar Babe
This iconic song by Bhupen Hazarika is a powerful anthem that speaks about humanity, unity, and social justice. The songâs poignant lyrics and simple yet stirring melody have made it a classic in Assamese music. It has been praised for its timeless message and remains relevant across generations.
Zubeen Garg
Zubeen Garg is a contemporary Assamese singer and musician who has achieved widespread fame in both Assamese and Bollywood music industries. His versatile voice and experimental style have made him a household name. His popular songs, such as 'Ya Ali' and 'Maya,' showcase his ability to blend traditional Assamese elements with modern music.
Bistirno Parore
Another masterpiece by Bhupen Hazarika, 'Bistirno Parore' is a reflection on the Brahmaputra River and its symbolism for the resilience of the Assamese people. The song, with its evocative imagery and deep emotional undertones, is a tribute to Assam's cultural and natural heritage.
Papon
Papon, an acclaimed singer and composer, has brought Assamese folk music to the global stage. His fusion of Assamese folk with contemporary sounds has garnered him a massive following. Notable works like 'Tokari' and 'Bihu Naam' exemplify his dedication to preserving Assamese musical traditions while innovating with new styles.
Ya Ali
Although sung in Hindi for a Bollywood film, 'Ya Ali' by Zubeen Garg brought Assamese music influences into the mainstream Indian music scene. The song features a blend of traditional Assamese vocal techniques with contemporary production, making it a standout piece in both Assamese and Indian pop culture.
Application Scenarios for Assamese Music
Assamese music, especially folk genres like Bihu Geet and Zikir, has been used extensively in Assamese and regional films to highlight cultural moments and emphasize regional authenticity. Bhupen Hazarikaâs compositions, in particular, have been featured in several documentaries and films that focus on Northeast India.
Film Soundtracks
Assamese music plays a central role in various cultural festivals, both within Assam and across India. Bihu songs are an integral part of Bihu celebrations, and Zikir is often performed during spiritual gatherings. These musical styles are used to foster a sense of community and cultural pride.
Cultural Events and Festivals
In recent years, Assamese folk elements have been incorporated into advertising campaigns to evoke regional pride and cultural connection. Advertisements related to Assamese products, such as tea or handicrafts, frequently use Bihu rhythms and traditional instruments to appeal to local audiences.
Advertising Music
Assamese music, particularly its folk genres, has potential in the gaming industry for use in games that depict rural or historical themes. The rustic and rhythmic nature of Bihu Geet or the spiritual undertones of Zikir can be used to create immersive environments in culturally-themed video games.
Video Game Background Music